Pajiba
The Tender Art of Not Being A Jackass – essay
Are the Straights OK? Making a Spectacle of Gaslit Women for the Sake of Denouncing Asshole Men – review
A Beautiful Slow Burn: HBO and Michael Mann’s ‘Tokyo Vice’ – review
Ms Magazine
New Work on Gender from MIT – essay
Let Us Now Praise Brutal Women – essay
Daisies in the Age of Trump – essay
BUST Magazine
Kristen Stewart Crushes It As Princess Diana In “Spencer” – review
“Promising Young Woman” Is Exactly What It Needs To Be – review
In “On The Rocks,” Love Is Twisted, Rationalized, And Complex – review
Cults Going Corporate: Why The NXIVM Story Feels So Familiar – essay/review
Sofia Coppola’s “Beguiled” Tears Apart the Original – review
Bitch Media
Great American Nowhere: “Nomadland” Is the Movie “Hillbilly Elegy” Wants to Be – review
In Favor of the Queer Mediocrity of “Ammonite” – review
Atticus Review
Rejecting the Story: A Review of Leaving Neverland – review
Magic and Homage in Hill House – review
Choosing the Face We See – review
MIT News
Transformative truth-telling at the MIT Open Documentary Lab – profile
Technology of Enchantment – profile
Communities in the Cloud – profile
Spenser’s Faerie Queene as a modern visual comic – profile
Looking at Justice Through the Lens of Political Theory – profile
Breakwater Review
Faith in Chaos: A review of Josephine Yu’s Prayer Book of the Anxious – review
Boston Hassle
Fabulously New: A review of Play the Part from Phil and the Flying Leap – review
Comics MNT
The Final Issue of Paper Girls Strikes the Perfect Balance – review
Z Publishing
Massachusetts’s Emerging Writers – fiction
The Establishment
On November 9th – essay
Origins Literary Journal
Battle Horn Blow – poetry
Burningword Literary Journal
Smoke Break – poetry
Daphne Magazine
Cardiac Overnight – poetry
The Critical Flame
Two Dozen Dancers: Representing a Masterpiece – essay
The Female Gaze
Specters in Residence: Gardner & Guggenheim – essay
Wellesley Underground
Wellesley Writes It: Alison Lanier ’15 – interview
Counterpoint Magazine
Whatever Happened to My Black Widow Movie? – essay
Alison Lanier 